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Jacquemus presenta su desfile de primavera verano 2021 en un campo de trigo – IMAGEN

Jacquemus presenta su desfile de primavera verano 2021 en un campo de trigo

Foto de @jacquemus.

Hace algunos días, el diseñador francés, Simon Porte Jacquemus anunció que a pesar de la pandemia del COVID-19, su firma homónima sí tendría desfile físico en una locación secreta. Ayer, 18 de julio, Jacquemus presentó su colección de primavera 2020, titulada “L’Amour” en un campo de trigo gigante en Francia.

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"As an idea for this collection, L’Amour began as something different. I imagined people gathered together celebrating love. Alexander Ekman’s choreography of wheat tossed passionately through the air. Emir Kursturica’s film, Time of the Gypsies with its enchanting realism. These scenes of ceremony large and small. But what’s so beautiful about L’Amour is how it can endure—sometimes even grow stronger—in the absence of people being together. Not long after my team was separated from each other, we were all in our homes feeling the desire to work, and a new vision of the collection emerged. We became a human chain, every step of the creative process executed with love. In fact, every decision I make concerning JACQUEMUS is motivated first by love and common sense. It’s why we shifted to a more sustainable rhythm last year, with two shows combining menswear and womenswear, held in January and June. This decision ended up saving us this season, since we had received all our fabric orders ahead of the confinement. Deciding to go ahead with our usual collection schedule and with a show is at the heart of our visual identity, our commercial strategy. With this smaller collection, presented mainly to our family and friends, we bring our interior worlds out into the open, interpreting the humble fabrics and objects we live with that have their own poems to tell. Within the home, L’Amour reveals itself in small wonders. Separate but collectively, we realized that the home is a place of endless inspiration. These impressions are what I wanted to recreate in this setting today, where we have been fully sensitive to the circumstances. My team has put in an enormous effort these last few months, and I am so grateful that we arrived here, that we are gathered together in the end. For me, it is important for people to see that a true celebration of L’Amour is universal." Simon

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A pesar de que la mayoría de las casas de moda están optando por presentar sus nuevas colecciones por medio de formatos digitales, Jacquemus se arriesgó y nos sorprendió al hacerlo como todos estamos acostumbrados a pesar de la crisis por coronavirus. Además, el desfile se transmitió en vivo para sus 2.4 millones de seguidores, el set fue un campo de trigo expansivo con una pasarela larga y con relieves.

La colección parece el vestuario perfecto para una boda en el campo durante los días de cosecha. “Cada decisión que tomo con respecto a Jacquemus  está motivada primero por el amor y el sentido común”, explicó Simone en su Instagram. “L’Amour”  fue inspirada, según ha declarado el diseñador, en la película El tiempo de los gitanos, de Emir Kusturica, pero también en las figuras en movimiento del coreógrafo sueco Alexander Ekman.

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"As an idea for this collection, L’Amour began as something different. I imagined people gathered together celebrating love. Alexander Ekman’s choreography of wheat tossed passionately through the air. Emir Kursturica’s film, Time of the Gypsies with its enchanting realism. These scenes of ceremony large and small. But what’s so beautiful about L’Amour is how it can endure—sometimes even grow stronger—in the absence of people being together. Not long after my team was separated from each other, we were all in our homes feeling the desire to work, and a new vision of the collection emerged. We became a human chain, every step of the creative process executed with love. In fact, every decision I make concerning JACQUEMUS is motivated first by love and common sense. It’s why we shifted to a more sustainable rhythm last year, with two shows combining menswear and womenswear, held in January and June. This decision ended up saving us this season, since we had received all our fabric orders ahead of the confinement. Deciding to go ahead with our usual collection schedule and with a show is at the heart of our visual identity, our commercial strategy. With this smaller collection, presented mainly to our family and friends, we bring our interior worlds out into the open, interpreting the humble fabrics and objects we live with that have their own poems to tell. Within the home, L’Amour reveals itself in small wonders. Separate but collectively, we realized that the home is a place of endless inspiration. These impressions are what I wanted to recreate in this setting today, where we have been fully sensitive to the circumstances. My team has put in an enormous effort these last few months, and I am so grateful that we arrived here, that we are gathered together in the end. For me, it is important for people to see that a true celebration of L’Amour is universal." Simon

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Con esta colección más pequeña, se caracterizó por telas humildes y objetos cotidianos que nos recuerdan a cualquiera que sea ese lugar al que cada uno llamamos hogar.

 

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